/ INTERVIEWS

Phillip Noyce: “Cinecittà is an amazing place”

“Cinecittà is an amazing place, I spent two hours walking with Fellini in those studios that made the history of Italian cinema. I still remember them fondly.” This is how our conversation with Phillip Noyce starts. 

Bellocchio: “My Buscetta, a conservative traitor”

Marco Bellocchio takes part in the Cannes competition with a work of great complexity, an important and accomplished film that presents a number a very Italian anomalies: the interplay of mafia and politics, the obscene sacredness of the family, both in a biological and criminal sense. 

Mattotti enchants Cannes with the poetry of Buzzati

Paris-based Italian illustrator Lorenzo Mattotti is not new to literary adaptations. This time the challenge was to adapt Dino Buzzati for the silver screen in his animated debut feature The Bear’s Famous Invasion of Sicily.

Carpignano: “Being a Semaine juror is like a confirmation for me”

Jonas Carpignano is one of the jurors of this year’s Semaine de la critique in Cannes, where he himself debuted with his first film in 2014 and, for this reason, feels like being part of a family. Right after the festival ,Carpignano will be busy working on Chiara, his upcoming feature.

Bellocchio: “My Buscetta, no shrine nor condemnation.”

The only Italian film competing in Cannes this year, Marco Bellocchio’s The Traitor, will be released in Italy on May 23rd, the day that marks the anniversary of the Capaci massacre. 

Michela Occhipinti: “The rebellion of the body from Mauritania to Europe”

The gavage ritual – for which the bride-to-be must gain weight in order to reach an ideal standard of beauty – is at the core of Michela Occhipinti’s Flesh Out, presented in the Panorama section of the Berlinale

Adele Tulli: “Italy is a lab for gender”

Adele Tulli’s Normal, playing in Berlin in the Panorama Dokumente section, is a journey through the stereotypes about gender, to the complexity of a society such as the Italian one, suspended between patriarchal traditions and liberating breaks from the pattern. 

Della Casa & Ronchini: the 1950s beyond the stereotypes

What have been the 1950s in Italy, what’s the soul of that period? These questions try to find an answer in the documentary Guys and Dolls by Steve Della Casa and Chiara Ronchini, produced by Istituto Luce Cinecittà in collaboration with Titanus

Paolo Virzì: “Irriverent with my fathers”

A tribute to the cinema of the fathers, but also an ironic and affectionate payback, almost like in a comic book: it’s Magical Nights, the new film by Paolo Virzì, closing event of the Rome Film Fest

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